Ted Nash wanted to copy the idea of thrown paint musically by creating a composition that sounded big and free. He also wanted the music to express the kind of jazz music that Pollock listened to and enjoyed. We leave you with “Pollock,” the last part of “Portrait in Seven Shades.”
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STEVE EMBER: This program was written and produced by Dana Demange. I’m Steve Ember.
BARBARA KLEIN: And I’m Barbara Klein. You can read, listen and comment on this program on our Web site, voaspecialenglish.com. Join us again next week for Explorations in VOA Special English.
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2013-11-25
2013-11-25
2013-11-25
2013-11-25
2013-11-25
2013-11-25