Gilpin never spoke of herself as a photographer with a feminine perspective: she eschewed any discussion of gender as it related to her work and maintained little interest in interpretations that relied on the concept of a womans eye. Thus it is ironic that her photographic evocation of a historical landscape should so clearly present a distinctively feminine approach to landscape photography.
21. Which of the following best expresses the main idea of the passage?
Gilpins landscape photographs more accurately documented the Southwest than did the photographs of explorers and conservationists.
Gilpins style of landscape photography substantially influenced the heroic style practiced by her male counterparts.
The labeling of Gilpins style of landscape photography as feminine ignores important ties between it and the heroic style.
Gilpins work exemplifies an arguably feminine style of landscape photography that contrasts with the style used by her male predecessors.
Gilpins style was strongly influenced by the work of women writers who described the landscape in terms of its relationship to people.
22. It can be inferred from the passage that the teams mentioned in line 19 were most interested in which of the following aspects of the land in the western United States?
Its fragility in the face of increased human intrusion
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