21. In the passage, the author is primarily concerned with

　　 defining the Modernist attitude toward art

　　 explaining how photography emerged as a fine art after the controversies of the nineteenth century

　　 explaining the attitudes of serious contemporary photographers toward photography as art and placing those attitudes in their historical context

　　 defining the various approaches that serious contemporary photographers take toward their art and assessing the value of each of those approaches

　　 identifying the ways that recent movements in painting and sculpture have influenced the techniques employed by serious photographers

　　22. Which of the following adjectives best describes the concept of art imposed by the triumph of Modernism as the author represents it in lines 25-27?

　　 Objective

　　 Mechanical

　　 Superficial

　　 Dramatic

　　 Paradoxical

　　23. The author introduces Abstract Expressionist painters in order to

　　 provide an example of artists who, like serious contemporary photographers, disavowed traditionally accepted aims of modern art

　　 call attention to artists whose works often bear a physical resemblance to the works of serious contemporary photographers

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