21. In the passage, the author is primarily concerned with
defining the Modernist attitude toward art
explaining how photography emerged as a fine art after the controversies of the nineteenth century
explaining the attitudes of serious contemporary photographers toward photography as art and placing those attitudes in their historical context
defining the various approaches that serious contemporary photographers take toward their art and assessing the value of each of those approaches
identifying the ways that recent movements in painting and sculpture have influenced the techniques employed by serious photographers
22. Which of the following adjectives best describes the concept of art imposed by the triumph of Modernism as the author represents it in lines 25-27?
Objective
Mechanical
Superficial
Dramatic
Paradoxical
23. The author introduces Abstract Expressionist painters in order to
provide an example of artists who, like serious contemporary photographers, disavowed traditionally accepted aims of modern art
call attention to artists whose works often bear a physical resemblance to the works of serious contemporary photographers
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