set forth an analogy between the Abstract Expressionist painters and classical Modernist painters

　　 provide a contrast to Pop artists and others who created works that exemplify the Modernist heritage in art

　　 provide an explanation of why serious photography, like other contemporary visual forms, is not and should not pretend to be an art

　　24. According to the author, the nineteenth-century defenders of photography mentioned in the passage stressed that photography was

　　 a means of making people familiar with remote locales and unfamiliar things

　　 a technologically advanced activity

　　 a device for observing the world impartially

　　 an art comparable to painting

　　 an art that would eventually replace the traditional arts

　　25. According to the passage, which of the following best explains the reaction of serious contemporary photographers to the question of whether photography is an art?

　　 The photographers belief that their reliance on an impersonal machine to produce their art requires the surrender of the authority of their personal vision

　　 The photographers fear that serious photography may not be accepted as an art by the contemporary art public

　　 The influence of Abstract Expressionist painting and Pop Art on the subject matter of the modern photograph

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