21. The author refers to Schubert and Brahms in order to suggest
that their achievements are no less substantial than those of Verdi
that their works are examples of great trash
the extent to which Schubert and Brahms influenced the later compositions of Verdi
a contrast between the conventions of nineteenth-century opera and those of other musical forms
that popular music could be employed in compositions intended as high art
22. According to the passage, the immediacy of the political message in Verdis operas stems from the
vitality and subtlety of the music
audiences familiarity with earlier operas
portrayal of heightened emotional states
individual talents of the singers
verisimilitude of the characters
23. According to the passage, all of the following characterize musical drama before Verdi EXCEPT:
arias tailored to a particular singers ability
adaptation of music from other operas
psychological inconsistency in the portrayal of characters
expression of emotional states in a series of dramatic situations
music used for the purpose of defining a character
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