3. Hardy s weakness derived from his apparent inability to control the comings and goings of these divergent impulses and from his unwillingness to cultivate and sustain the energetic and risky ones.
哈代的缺陷一方面缘起于他的某种明显的无能,无法控制好那结不尽相同的创作冲动的穿梭往来;另一方面缘起于他不愿意去培养和维持那些富于生机活力和风险性强的创作冲动。
4. Virginia Woolf s provocative statement about her intentions in writing Mrs. Dalloway has regularly been ignored by the critics,since it highlights an aspect of her literary interests very different from the traditional picture of the poetic novelist concerned with examining states of reverie and vision and with following the intricate pathways of individual consciousness.
弗吉尼亚.伍尔夫在创作《黛洛维夫人》时有关其创作意图的这番发人深思的陈述,迄今为止一贯为文学评论家们所忽略,因为它突出反映了她诸多文学兴趣中某一方面,而这一方面则与人们对 诗性 小说家所形成的传统见解大相径庭。所谓的 诗性 小说家,所关注的是审视想入非非和白日梦幻的诸般状态,并致力于追寻个体意识的通幽曲径。
5. As she put it in The Common Reader , It is safe to say that not a single law has been framed or one stone set upon another because of anything Chaucer said or wrote ; and yet , as we read him , we are absorbing morality at every pore . 就像她在《致普通读者》一书中所表达的那样, 尽管可以毫无疑问的说,没有任何法律被指定出来,也没有任何高楼大厦被建立起来是因为乔叟说了什么或者写了什么;然而,当我们读它的书的时候,我们身上每一个毛孔都充满了道德
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