There seems little doubt that the greatest of Picassos work came in the 30 rs between Les Demoiselles dAvignon and Guernica . But of course he didnt decline into triviality. Consistently through the war rs and the 50s, and even now and then in the 60s and 70s, he would produce paintings and prints of considerable power. Sometimes they would be folded into series of variations on the old masters and 19th century painters he needed to measure himself against, such as Velazquez and Goya, or Poussin, Delacroix, Manet and Courbet. In his last rs particularly, his production took on a manic and obsessive quality, as though the creative act could forestall death. Which it could not. His death left the public with a nostalgia for genius that no talent today, in the field of painting, can satisfy.
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