If literary critics intend to put up a bulletin filled with some abstruse theory with their own unique clairvoyance, the principles of philosophy accumulated through several centuries are the best things they should consider to resort to further their study domain. As a famous American literary critic ever wrote in his latest bookLiterature against Philosophy, that both the subjects here concerned acts the roles of the brothers share in some common like the features of genes and attitudes towards outer evaluations, yet fight each other for the predominance of his own thinking rules in that the existence of the common and concordance mentioned above. Many literary works inevitable dips into the field of philosophy in the form of further exploring the deep ground of the hero or heroines heart by depicting the countenance or the behavior deriving from his or her natural revelation, one of the eminent examples is the Mary Shelleys appealing fiction Frankenstein, the adept almost near the surface of perfect description and metaphorical expression fixed thousands of readers eyes and souls onto the monsters fate and the heros imminent manic psyche, the philosophical analysis told us how it produces so hallucinating effect and weird atmosphere.
By the way, when biology and chemistry met, biochemistry came into being as a strong hybrid of the two independent parents. One of my best friends happens to be an excellent graduates major in bio-pharmacology, who once told me before entering the total systematic study of this newborn popular course, he must prepare the rationales of chemistry indispensable and necessary in later research assignments.
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