Critics的现状:
James Elkins is flummoxed by the state of art criticism. On the one hand, it appears to be flourishing: it s ubiquitous, it s everywhere. On the other hand, no one cares: it s not that widely read, and it doesn t figure in the intellectual debates of the day. Art criticism has little influence, and, apparently is considered to have little lasting value: with few exceptions, art magazines and gallery catalogues are considered ephemeral by libraries and databases, and therefore not collected or indexed. Scholars don t refer much to it, and there s too much for readers to possibly handle
大多数人的思路是写艺术家创造了价值,评论家发现了价值,然后堆砌例子,当然,这样得思路并不错,但是有些老套,例子再多也没有深度。好文章最重要的是有自己独到的见解和分析,从众多的现象当中发现问题和规律,并归纳出来,演绎出去。只是罗列例子,难道让读者自己发现规律吗?这些例子早就存在了,不用你再说一遍,关键是你要展示给读者你的东西,你的见解。
同样都是写艺术家和评论家,可以在不同的角度写这两个不同群体的价值和影响,他们之间的关系。你也可以有些自己独创的东西,就像我在前面说的物质价值和艺术价值,这并不是什么专业术语,只是我个人的一个划分标准和评判角度。我想大多数的作文,现在缺少的不仅是逻辑分析能力,还有创新能力。
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