87. The author concludes that photographers who work in color hold a competitive
advantage over those who work in black-and-white. To support this conclusion, the
author claims that the greater realism of color accounts for its predominant use in
magazines and portraits. The author also points Out that newspapers now use color
photographs, and that there are more types of color film than black-and-white film
available today. This argument is problematic in several important respects.
First, the argument unfairly assumes that working in color is necessary in order to
gain an advantage. The author identifies only two areas―magazine and portrait
photography―where color predominates. It is possible that the overall demand for
black-and-white photography remains high. Moreover, the author provides no evidence
that the realism of color photography is the reason for its predominance. The
predominant use of color may be due to other factors―such as consumer preferences or
relative costs of film―which might change at any time.
Second, the argument unfairly assumes that a photographer must make an
either/or choice between the two types of photography. This assumption presents a false
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