Painting! she declared. But what are you hesitating about? Let me have the brush the big one. Splash into the turpentine, wallop into the blue and the white, frantic flourish on the palette, and then several fierce strokes and slashes of blue on the absolutely cowering canvas.
At that time, John Lavery a Churchill neighbor and celebrated painter was tutoring Churchill in his art. Later, Lavery said of his unusual pupil: Had he chosen painting instead of statesmanship, I believe he would have been a great master with the brush.
In painting, Churchill had discovered a companion with whom he was to walk for the greater part of the years that remained to him. After the war, painting would offer deep solace when, in 1921, the death of the mother was followed two months later by the loss of his and Clementines beloved three-year-old daughter, Marigold. Battered by grief, Winston took refuge at the home of friends in Scotland, finding comfort in his painting. He wrote to Clementine: I went out and painted a beautiful river in the afternoon light with crimson and golden hills in the background. Alas I keep feeling the hurt of the Duckadilly .
Historians have called the decade after 1929, when the Conservative government fell and Winston was out of office, his wilderness years. Politically he may have been wandering in barren places, a lonely fighter trying to awaken Britain to the menace of Hitler, but artistically that wilderness bore abundant fruit. During these years he often painted in the South of France. Of the 500-odd canvases extant, roughly 250 date from 1930 to 1939.
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