Once in a while, a family on a childrens outing is fooled by Spiegelworlds festive red-and-blue tent spires. Make no mistake: the shows are for adults. La Vie , created by Les 7 Doigts de la Main, a Montreal-based troupe, laces an array of artfully sexy circus acts with the premise that everyone is dead and in purgatory, travelling on a flight to hell that never quite gets there . Wearing what looks like a straitjacket, a contortionist moves in a highly unsettling way to a recording of Crazy , crooned by Patsy Cline. The show closes with a steamy pas de deux between the devilish master of ceremonies and the evenings lip-curling seductress.
Absinthe is a more explicit grab-bag of stripping, cross-dressing and intrigue, without a unifying theme. The shows strongest moments come from the acrobats, all of whom carry a powerful sexual charge. Two women sway with suggestive grace on the trapeze. An aerialist in black trousers, his sculpted chest glistening, pulls and twists himself up two hanging straps to the lusty music of Jealous Guy , sung by a transvestite diva.
Sexy but not tawdry. Despite colourful language and a brief moment of unnecessary male nudity in La Vie , the setting is too elegant and the talent too astonishing for that. Its a bit of risqu fun that has been warmly received by New Yorkers, many of whom have grown tired of the wholesome, tourist-friendly fare of Broadway. Last summer Absinthe ran for two months to sell-out crowds; this years two-show programme is for three months until the end of September.
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