Not all writers oblige. Occasionally, a well-known name, such as Peter Carey, an Australian,will go through a fallow period only to enjoy a return to form ; a rare few,having written a debut of note, then go on to pen an even better second book.
并非所有作家都是被迫写作的。间或也有像澳大利亚著名作家皮特凯里这样的人,他将休笔一段时间,而这仅仅是为了调整自己的状态;极少有作家在完成一部佳作后还会继续创作另一部超越性的作品。
Joshua Ferris became an international success in 2007 with Then We Came to the End, asmart and breezy satire of office life in an advertising firm. Told in the collective firstperson, it was a stylish rendering of workplace ambivalence in the wake of the dotcombust. It wasn tperfect, but it was fresh, with pages that turned freely and unpretentiously. At 32, MrFerrisgracious, photogenic, based in Brooklynwas anointed a writer to watch.
约书亚费里斯在2007年因《当我们来到尽头》一书而享誉世界。在这本书中,他用富有智慧的语言及轻松愉快的笔调嘲讽了一个广告公司的办公室生活。全书用第一人称的口吻,生动的描述了在网络经济崩溃中觉醒的人们在工作场所的矛盾心理。这部作品并不完美,但体裁新颖,文风自在狂妄。在费里斯先生32岁的时候,他居住在布鲁克林,和蔼,上镜,就像上帝为我们挑选的作家。
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