The Istanbul Biennial is held in two huge former warehouses on the banks of the Bosporus.Untamed, the buildings would force viewers into a monotonous marathon of spectatorship.But the biennial s curators, Adriano Pedrosa and Jens Hoffmann ,enlisted the help of a master of exhibition design, a Japanese architect called RyueNishizawa, who has introduced new energy into the space by creating rooms of different sizesand marking off exterior spaces with corrugated-steel walls.
伊斯坦布尔双年展在博斯普鲁斯海峡岸边的两座巨大的老旧库房里举行。如果不加修饰的话,这种建筑很容易让观众陷入一种单调冗长的观赏过程之中。但是展馆馆长阿德里亚诺佩德罗萨和吉斯霍夫曼得到了一个展馆设计大师的帮助,他是一位名叫西沢立卫的日本建筑师,他建造了几个大小不同的房间,并用波纹钢板墙将外部空间区分开来,通过以上方式为整个空间注入了活力。
As curators, Mr Pedrosa and Mr Hoffmann have also adopted an effective premise. Ratherthan using a theory or theme as a unifying rubric, the biennial has a museFlixGonzlez-Torres, an artist who died in 1996 and who was selected posthumously to be theofficial American representative at the 2007 Venice Biennale.
做为馆长,佩德罗萨和霍夫曼也采用了令人印象深刻的方式开幕。并没有用千遍一律的红字标注展览主题,这次的双年展自己的缪斯菲利克斯冈萨雷斯托雷斯,这位艺术家1996就英年早逝,死后在2007年的维纳斯双年展上被选为正式的美国代表。
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