Artists and photographers;Point and paint
艺术家和摄影师;瞬间与永恒;
A long overdue study of the influence early photography had on painting;
早期摄影对绘画的影响,一项迟来的研究;
I have all my subjects to hand, Pierre Bonnard, a French post-impressionist painter, oncewrote. I go to see them. I take notes. Then I go home. And before I start painting I reflect,I dream. At the turn of the 19th century, the notes Bonnard made included snapshots thathe took with his flexible hand-held Kodak camera, which had first been introduced in 1888.
我手头上有全部素材,法国后印象主义画家皮埃尔波纳尔曾经写道。我去采风。做记录。然后回到家。开始作画前我会在脑中回想,让思绪放飞。在19世纪之交,柯达推出第一台相机,这里波纳尔所说的记录就包括用轻巧便携的柯达相机拍的快照。
Unhampered by hefty equipment or long exposures, Bonnard and his fellow paintersfrom the Nabi group, Edouard Vuillard and Flix Vallotton, were among the first artists to usethe camera to observe fine details, perspectives and light effects too fleeting to see withthe naked eye. A painstakingly curated new show juxtaposes 220 mostly unpublishedvintage snapshots by seven fin-de-sicle artists along with their paintings, prints anddrawings in an effort to demonstrate how this new way of seeing inspired and expandedthe painters creative vision.
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