There may be a recession but the last place on earth you’d notice it is at Chanel. “We make a lot of money,” said Mr. Lagerfeld, squinting behind his dark glasses, as if this fact were as plain as the Eiffel Tower. He is sometimes in a mood to talk about Coco Chanel, whose life and capacity for survival never seem to bore him, and last night was such a time. He recently published (with Steidl) a book of photographs by Douglas Kirkland called “Mademoiselle: Coco Chanel Summer 62.” In his text, he observes how Kirkland’s pictures in the house and on the Rue Cambon remove “from her image all its evils and the bitchy side popular imagination has attached to her persona.” The summer of 62 was, in a way, he wrote, “her last summer as the queen of fashion. Jeans and miniskirts were on their way to invade the world. Hating them and letting people know publicly how much she loathed the fashions to come she put herself instantly in the position of the has-been oracle of style and fashion.” He says 40,000 copies of the book have been sold.
虽然面临全球经济衰退,但你依然能看到生生不息的Chanel,“我们依然非常赚钱,”Karl Lagerfeld坚定地说,他犀利的目光从墨镜后透射出来,好像这个事实就像埃菲尔铁塔一样不可动摇。在谈到关于Chanel的问题时,Karl Lagerfeld是带有自己强烈的感情的,他的整个生命与能力从来都未曾困扰过他,昨晚的此时他还在工作。他最近根据Douglas Kirkland的摄影集《法国小姐:Coco Chanel62岁的夏天》出版了一本新书,在书中,Karl Lagerfeld仔细研究了保留在康朋街Coco Chanel旧居里的Kirkland作品,客观地展现了时髦外表下Coco Chanel本人的刻薄、风流。在这本书中,Karl Lagerfeld写到:“在这位时尚女王的生命中的最后一个夏天,牛仔裤与超短裙席卷全球,Coco Chanel讨厌这些东西,而这也使得这位曾经创造的流行与时尚的女王在那个时代遭到了前所未有的冷遇。”据Karl Lagerfeld称,这本书已经发售了4万册。
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