Kalmans father, Andras, was a private gallery owner in Manchester and a close personal friend of Lowry. He agitated for British art institutions to promote Lowrys work overseas, but no solo exhibition was ever held outside the UK in either his or the painters lifetime. 卡曼的父亲安德拉斯是曼彻斯特的一家私人美术馆馆主,和劳里的私交甚好。他呼吁英国美术界向海外推广劳里的画作,但是在安德拉斯或是劳里的有生之年,劳里的个人画作始终未在英国以外的地方展出。 The curators hope Lowrys paintings will resonate with Chinese audiences because they will see echoes of their own economic development and the problems it causes. 美术馆长们希望劳里的画作可以让中国的观赏者产生共鸣,因为他们可以在这些画里看到自家的经济发展及其带来的问题。
Detail from Bargoed, 1964 巴格德港口写实,1964年作
Xiao Lang points to notorious pea-souper smogs of Lowrys day and the swathes of grey and white in Lowrys paintings. 小浪提到了劳里时代的恶名远播的滚滚黄雾,还有劳里画作里一条条灰和白的色带。 First of all the white sky, she says. We have air pollution issues in China so the sky colour will definitely resonate with Chinese audiences. 小浪说:“首先是灰蒙蒙的天,因为在中国我们有空气污染的问题,所以天空的颜色绝对会让中国的观众产生共鸣。”
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