作为一部向经典好莱坞黑色电影致敬的作品,《白日焰火》将阴郁、悲情与恰到好处的黑色幽默相互融合。而令人称赞的是,在导演兼编剧刁亦男的镜头下,那种不安情绪与险象环生的情节贯穿了整个影片,推动着故事情节的发展。
although it is a less overtly political film than jia zhangke’s recent controversial project a touch of sin, black coal, thin ice does offer a similarly dark and direct portrait of one of the less fashionable corners of china, at a less attractive time of year.
尽管与贾樟柯颇具争议的新片《天注定》相比,《白日焰火》没有前者那样明显的政治色彩。但后者在类似的黑色基调中直接讲述了在那样一个平凡年代,发生在中国一个不起眼角落里的故事。
while the realistic social commentary implied in the film may be something that appealed to the judges in berlin, it may also drive away a large number of audiences. then again, if you’re tired of romantic flicks and no-brainer visual stunts, black coal, thin ice offers some welcome change.
影片对现实社会的诠释获得柏林电影节评审们的青睐,但这也可能令一大部分观众无法买账。如果你对爱情电影或者无需动脑的视觉特效产生审美疲劳,那么《白日焰火》可以给你换个口味。
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