Another thing that also astonished his contemporaries was how he buried the traditional roles of the left and right hands. The “D Flat Major Prelude” is a good example of this: the left hand begins with the raindrop accompaniment while the right hand carries the melody. Note how a few bars in they switch. Chopin was a master of short forms: he had popularized his native polonaises and mazurkasand was known for the brilliance of his etudes and preludes. But it is Chopin’s nocturnes that will be forever synonymous with his name. As their title suggests, they are dreamy night pieces, with melodies many people consider among the most beautiful ever written.
肖邦创作的钢琴曲摒弃了在钢琴演奏中传统的左右手分工,让与他同时代的人震惊不已。“降D大调前奏曲”就是一个很好的例证。一开始,左手以雨滴般的伴奏切入,同时旋律从右手流淌而出。注意: 在几个小节后,两手进行互换弹奏。肖邦是小型曲式大师:他使祖国的波洛奈兹舞曲和玛祖卡舞曲得以广泛流传,并以他的练习曲和前奏曲所表现出的卓越才华闻名 于世。然而肖邦的夜曲才是他永远的代名词。曲如其名,在这些梦幻般的夜曲中流淌的旋律被许多人誉为最美妙的传世佳作之一。
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