读过科马克·麦卡锡的小说《老无所依》的人都会对书中那个反派有一个鲜明印象。书中的冷血杀手安东·齐格已经深深烙进我们的意识中,那并不是科恩兄弟这部奥斯卡获奖影片主演哈维尔·巴登的形象。
Yet Bardem’s film characterisation is so powerful, so splendidly overwhelming in his random application of violence, that he manages to extinguish whatever preceded it in the mind of the audience.
然而,巴登的演绎太有力度,他用随意不经心的暴力表达华丽丽地将我们制服,把观众脑海中先前的印象一抹而光。
Set in West Texas in 1980, No Country for Old Men’s sense of time and place are unparalleled. There’s a hypnotic quality to the movie’s pace, watching characters you can’t help but like make a series of catastrophic decisions that bring each into Chigurh’s universe, a world soaked in blood with a predetermined outcome.
《老无所依》背景是1980年的德州西部。整部电影的节奏带着催眠般的效力,你看着那些你无法不爱的角色做出一系列灾难性的决定,把自己送进杀手齐格的世界,而那是一个用血腥浸染的世界,一切结果都已预知。
– Ben Mankiewicz, Turner Classic Movies, US
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