Dan Brucker has worked for the transit authority at Grand Central for 30 years. In all those years, he has not lost his interest in the building.
“This is the beginning of 20th century architecture. And as people come through this terminal, they don’t even realize that the magnificent celestial ceiling above them, the very roof of heaven, is exactly wrong, is exactly opposite. It’s a mirror image.”
Justin Ferate, a historian, has been giving tours of Grand Central Station for 30 years. He says the station was designed to make travel a pleasure.
“You know that you’re a traveler, you’re going off on a great adventure, you’re going to follow your stars and find your dream. You’re also going to find your train where it’s supposed to be -- which is one of the brilliant parts of the design of the building.”
Justin Ferate likes to show how the building was designed for large numbers of people.
“Why people don't run into each other in Grand Central is simple: each block of stone in Grand Central is the length of your leg. Each block of stone in Grand Central is the length of your arm. Each block of stone is a different color, so it’s a checkerboard, based on you.”
A ten-year-long fight against plans to build a huge office building over Grand Central in 1968 helped create the modern preservation movement. Now, no one would think of changing the beauty of the station.
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