This theme of poor-boy-meets-rich-girl is repeated so often in Chinese folklore that it is obvious the scenario exemplifies the public's dream rather than reality. People tell these love stories to express their yearning for true love - love that transcends social division. A less mythological version would have the poor boy attaining officialdom before walking down the aisle as the groom - which emphasizes class parity in marriage.
The contemporary variety is called "phoenix man" and "peacock woman". A phoenix man is a male from a poor rural area who goes to college and gets a job in a city. A "peacock woman" is an urbanite who has been brought up in an affluent household. They date and marry. But because of the gap in the backgrounds they often have conflict. Behind the facade of equality, they are still dogged by their parents' social standing.
It is not realistic for a Chinese dating show to have a formula like The Dating Game, the classic show on ABC network, which prohibits questions about the salary and profession of one's potential date. But Chinese producers have pushed the pendulum to the other extreme when they put on guests that scream nouveaux riche. There was one bachelor on a competing show, aired on Zhejiang Satellite Television, who walked on stage and flaunted a document of ownership for a downtown apartment, a key to his Lamborghini and a diamond ring. Diminutive in size, he overshadowed all Arabian oil barons in chutzpah.
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