In films for young people and adults we always tried to keep off the screen any details of criminal techniques,such as how to open a locked door with a piece of hard plastic or how to open a safe;if we were consulted请教)before production,I used to advise that the details should not be shown.When I gave talks in prisons about film checking I had full support for this ,since fathers who were in prison for criminal offences did not want their children to get on crime.
Every time I gave a talk in a prison someone used to mention the French film Rififi made by Jules Dassin in 1954.This remarkable film showed in great detail a robbery of a jeweller’s shop,the robbery lasting about half an hour and being backed only by natural sound…one of the most brilliant film sequences连续镜头)of all time.I remember our discussions at the time.We thought that the robbery was finished only with the use of advanced and obviously expensive equipment and that only the most experienced and skilled criminals could possible imitate it;we believed therefore that it was relatively safe.When talking in prisons some years later I learned that there had been several robberies in which the techniques had been copied,so perhaps we were wrong.
Question 3:It can be inferred from the passage that________.
A.it is hard for the children to tell the differences between real life and the imaginary
B.only the people in prison supported film checking
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