"Cause it's true. We did."
Now, talking about the innocence of a kid who takes drugs may seem a little odd, but what made Hard Choices such a compelling movie is that it doesn't settle for easy answers. Having Bobby sit in jail is clearly not in anyone's best interests. So when his case is taken by Laura, a young social worker played by Margaret Clenk, you're mightily relieved. Unfortunately this kid isn't very lucky in the folks who take a shine to him. Clenk, who's probably best known as Edwena Louis in the soap opera "One Life to Live", makes Laura a tired activist who's so won over by Bobby's lopsided grin and optimism, she's soon doing something supremely dumb: pointing pistol at the Sheriff.
Woman: Do you have a gun, Bobby?
Bobby: It's on the wall.
Woman: Go get it.
Bobby: Wait a minute.
Woman: Go get the gun!
Man: Bobby, don't do it. You're making a big mistake. I'm going to have to come and get you.
Woman: Don't you want to be free?
Since he's being tried as an adult, that is a hard choice. Now, this may remind you of a real life story recently in which a lawyer in Tennessee fell in love with her client and helped him escape, or it may just generally remind you of real life. One of the best things about Hard Choices is that everything in it seems so utterly natural. The supporting cast, for instance, which includes Secaucus Seven director, John Sales. It's generally terrific, which you could also say about Rick King's casually suspenseful direction. He keeps you just a little off balance, which is wonderful. Unfortunately, his movie seems to have its Hollywood's sponsors a little off balance, too. Despite reviews that called the sleeper of the summer, Lorimar Pictures can't seem to get handle on how to sell it. And frankly, with major media advertising costing what it does, if a film can't be described in a phrase of six words or less, like "crime is the disease, cobra's the cure". Tuisel Town often has to throw up its hands. The thing is that Hard Choices is just what Hollywood needs right now. With idiotic fantasies about talking ducks costing as much as $40,000,000, this is practically the definitive small movie, made for what most Hollywood epics spend on catering. I don't want to oversell it. It's certainly not perfect. But it sure makes the adrenaline flow. And when you take its budget into account, it's nothing less than amazing. If the studios can't figure out how to make a picture like this work, they deserve disasters like Howard the Duck . The problem is, if you want to see it, you may have to search for Hard Choices because it's not being released all at once. There are only a few prints. But it's worth asking your local theater owner to book. With summer hold-overs as the alternative, it makes your September movie going an easy choice.
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