He does not need others to tell him how great he is - not any more.

　　That does not mean he is not proud of Bullets. It‘s just that Bullets, for him, is fun. He is aware of all the political interpretations of his story that have turned up across the Web and mainstream media.

　　“No, I did not mean to put political meanings into the story,” he says straightforwardly.

　　The Goose Town, the central setting for the movie, has come to symbolize China for some film buffs with a political leaning. Yet, Jiang repeatedly uses the location as an outing to the dark world of film making.

　　The most brilliant touches in his movies all seem to cross the stream of reality, for example, in Bullets opens with a train pulled by white horses.

　　“I did not invent this set-up. For 30 years in the early 20th century, there was a segment（段） of rail line in Northeast China that was powered by horses,” he explains, without getting into the symbolic significance of such devices. “You may imagine the most unlikely scenes, and you‘ll find that fact is stranger than fiction.”

　　Jiang Wen was trained at the Central Drama Academy - as an actor. Yet he is known for his brave visualizations(表现力). He prefers scripts read to him by someone who can turn the words alive. His storyboards, as drafts for each shot, tend to be rough. But his verbal description of each scene is so vigorous the listener can quickly recreate each frame in his or her mind‘s eye.

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