The buzz on Chinese media about Mo possibly winning the prize started about a month ago, when some betting agencies started placing Mo as a contender.
In early October, British bookmakers Ladbrokes put Mo next to Japanese writer Haruki Murakami as the leading bets but Murakami had odds of 3 to 1, while Mo lagged behind at 8 to1.
Although China boasts a tradition of literature and scholarship, few writers have won international acclaim and recognition. And for that reason, the Nobel Prize for Literature has always been an aspiration for Chinese writers. Mo's win will shift the focus to more previously unknown Chinese works.
Although he has allowed few media interviews, Mo is well known.
In contrast with his appearance, his works are anything but down home and country. They are dramatic, with "a unique style, sharp language, wild imagination and magnificent narration," according to Ye Kai, a senior editor who has edited Mo's works.
Mo's family was categorized as rich middle-class peasants, which meant he was close to being labeled "class enemy." He dropped out of school and became a cowherd. At 20, he left his hometown and joined the army.
Many got to know of Mo when director Zhang Yimou adapted the film Red Sorghum from his 1986 novella of the same name, bringing to life a visual landscape characterized by red sorghum fields and a fiery setting sun.
Set in Gaomi, the story is the tale of a sedan carrier who saves the bride he is carrying from bandits, and later marries her. The wild, audacious man urinates in the local winery's precious barrels, but also later dies fighting against Japanese troops during World War II.
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