The movie has used many long shots and low-key editing, a spare use of music and ambient sounds -- birdsong, traffic, flowing water, wind in the trees, and waves breaking on the shore.
The film also chose to use only available lights to give another nod to Rohmer.
"We cancelled the gaffer crew and did not use any movie lights -- just natural light, and what was already there," cinematograher Zhu Jingjing told Xinhua. "The street is the street, the beach is the beach, night is night -- out of respect for Rohmer."
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