但是，时代在发展变化，到了现在，曾经辉煌的越剧渐渐地沉默下来了。虽然有人极力在挽救越剧，但现实总是残酷的。这里有一个其型的例子：新晋梅花奖得主——上海着名越剧演员萧雅来杭州连续举办专场越剧演出，据了解，从4月1日的第一场演出开始，上座率就没有超过5成；而在5成的上座率当中，有90％以上的人是通过各种渠道拿来的赠票。

However, the times are developing and changing. Now, the once brilliant Yueju Opera is gradually silent. Although some people try their best to save Yueju Opera, the reality is always cruel. Here's an example of its type: Xiao Ya, a famous Yueju actor from Shanghai who won the new plum blossom award, came to Hangzhou to hold a special Yueju performance in succession. It is understood that since the first performance on April 1, the attendance rate has not exceeded 50%; and among the 50% attendance rate, more than 90% of the people get tickets through various channels.

不管怎么样，越剧的观众越来越少，已是无可争辩的事实。

In any case, it is an indisputable fact that the audience of Yueju Opera is less and less.

当今的越剧危机已经很明显了：一是越剧剧团全面萎缩，现在除上海、江苏、福建和浙江外，其他各省市几乎没有专业越剧团。二是观众群体少，范围窄。越剧观众大多是50岁以上的老年群体，年轻人很少有人问津。三是目前越剧自身剧目老、节奏慢，缺乏改革和创新，一成不变，像个饱经风霜的老人。四是政府投入不多。社会争企业投入少、关注少，不重视。

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