Today's Yueju Opera crisis is obvious: first, Yueju opera troupes are shrinking in an all-round way. Now, except Shanghai, Jiangsu, Fujian and Zhejiang, there are almost no professional Yueju troupes in other provinces and cities. Second, the audience is small and the scope is narrow. The audience of Yueju Opera is mostly the elderly group over 50 years old, and the young people are rarely followed. The third is that Yueju's own repertoire is old, slow-paced, lack of reform and innovation, unchanging, like a weather beaten old man. Fourth, the government has not invested much. The social competition for enterprises has less investment, less attention and less attention.
在越剧走向衰落的同时,我仍然欣喜地看见,越剧界人士为振兴家乡艺术执着地奋斗着。他们把现代艺术元素融入越剧表演,用现代舞台、音响、灯光营造现代化的气氛。以吸引年轻一代的观众;剧本的创作也力求创新,如现代越剧《孔乙己》等的上演,的确给越剧带来了一股清新之风。舞台越剧没落的同时,社区里、广场上戏曲演员的表演却得到了百姓们的热烈欢迎。这些确实是值得我们深思的问题。越剧,我家乡的艺术,你的将来会是怎样的呢?
At the same time of Yueju's decline, I am still glad to see that people in Yueju circles are striving to revitalize the art of their hometown. They integrated modern art elements into Yueju Opera performances and created a modern atmosphere with modern stage, sound and lighting. In order to attract the audience of the young generation; the creation of the script also strives for innovation, such as the performance of modern Yueju Opera Kong Yiji, which indeed brings a fresh wind to Yueju Opera. At the same time of the decline of Yueju Opera, the performance of opera actors in the community and square was warmly welcomed by the people. These are really issues worthy of our consideration. Yueju Opera, the art of my hometown, what is your future?
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