Also, The process of official encouragement of some kinds of art and official discouragement of others will have begun to influence artistic directions. It must cause the imbalance of the development of the arts. For example, vast investment in the Beijing opera would hurt other local operas. As a result, some kinds of small operas might become extinct.
Furthermore, limited resources mean decisions have to be made to fund or not to fund.The criteria ultimately include an aesthetic judgment that necessarily select the relative worth of one artistic entity among all participating in competition for the same dollars. Questions arise: What resources should be committed to supporting art that is not popular? Does art deserve to be supported if there are not sufficient patronage for it to survive on its own merits?
Whats more, funding agencies take efforts to assure a diverse and objective mix of panelists. But no panel is qualified to evaluate every application. If a representative of some art form have no strong support, there must be an imbalance in arts diversity.What shall we do to ensure the diversity of the arts? There is no easy answer to this.The only obvious solution is to have sufficient public funding available to ensure the survival of all the arts in a community so that the hard decisions dont have to be made.Private patronage on the whole is a far better protection for diversity and independence than any governmental program can be. Without government direction and intervention, the arts can avoid being byproducts of government and freely create what artists want to express.Private patronage has its randomicity; therefore any art form has equal chance to be funded. Meanwhile, through free competition excellent artists have the freest space to display their creativity.
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