Passage One
The diner, or what we call dining car, is only a humble restaurant, but it has a special place in American life. Diners appear in our novels, plays, poems, and movies. Many artists have used diners as scenes for their paintings. Why are diners so fascinating to us? The diner attracts many different kinds of people. It is a heaven for lonely truck drivers far away from home. Construction workers learn about new jobs in distant cities. Traveling salesman exchange gossip with one another. Teenagers sit in their booths, sipping cokes and eating hamburgers. The people who work in diners are also interesting. Where did the new waitress come from? Will she remain here or will she suddenly leave one day, as the last one did? And is the short-order cook really an escaped convict, fleeing from the law? Everyone comes to the diner for a different reason. Some want to work there, and some want to eat there. Some stay for years, and others stay only for a few minutes. But, for all of them, the diner is a bright, warm stopover between the endless stretches of the open road.
Questions 26 to 28 are based on the passage you have just heard.
26: What do diners here stand for?
27: What kind of clients do diners target?
28: Why do truck drivers like diners?
Passage Two
To be a good teacher, you need some of the gifts of a good actor the key point is that you must know how to hold the attention and interest of your audience. Watch a good teacher, and you will see that he does not sit motionless before his class: he stands the whole time while teaching; he walks about, using his arms, hands and fingers to help him in his explanations, and his face to express feelings. Listen to him, and you will hear the loudness, the quality and the musical note of his voice always changing according to what he is talking about. However, all this doesnt mean that he will indeed be able to act well on the stage, for there are very important differences between the teachers work and the actors. The actor has to speak words which he has learnt by heart; he has to repeat exactly the same words each time he plays a certain part. What he has to do is to make all these carefully learnt words and actions seem natural on the stage. A good teacher works in quite a different way. His audience takes an active part in his play; they ask and answer questions, they obey orders, and if they dont understand something, they say so. The teacher therefore has to suit his act to the need of his audience, which is his class. He cannot learn his part by heart, but must invent it as he goes along.
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