The Berlin Philharmonic Orchestra, extending its visit to eight days, will be performing Gustav Mahlers last three major works as well as music by Thomas Ad s, Magnus Lindberg and Gy rgy Kurtag, three contemporary composers. In addition, various chamber ensembles made up of Philharmonic musicians are playing both at Carnegie and at neighbourhood concerts in the citys five boroughs. The most innovative of the Philharmonics offerings will be the performances on November 17th and 18th at the United Palace Theatre in Washington Heights of Igor Stravinskys The Rite of Spring , danced by kids from state schools who have been trained for just eight weeks. To those who think that the result will be shambolic, the organisers retort that the experiment worked well with children including refugees from state schools in Berlin.
Berlin In Lights is not comprehensive: there is no theatre and little dance. A festival that gets too big loses its charm, says Sir Clive: We would like to capture peoples imagination and incite them to explore new horizons.
The audience at some of the shows a performance by Max Raabe and the Palast Orchestra of songs from the 1920s and 1930s, Ute Lemper, a German chanteuse specialising in Kurt Weill, in cabaret were made up largely from what one participant described as the geriatric intelligentsia from the Upper West Side. As many of them have German- or Austrian-Jewish origins, they have a loving, knowledgeable relationship with German culture. One critic hissed that Ms Lemper was a poor copy of Lotte Lenya, Weills wife, whom she had seen perform in the 1940s. Sir Clive hopes that concerts by the Nomad SoundSystem, a Berlin band performing western dance music and North African melodies, and concerts by Berlins Turkish and Kurdish communities may bring in a younger crowd.
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