展出的所有画作都是达芬奇在米兰18年间创作的。以前要同时见到那么多幅达芬奇作品是不可能的。画展还展出了50幅炭笔素描,具有里程碑意义的《圣母圣婴和圣安妮及施洗约翰》也包括在其中。
The one picture missing from this period is The Last Supper, which is painted on a wall. Thiswork, which is badly damaged, is represented here by a large photograph and anear-contemporary copy. In pages from a notebook da Vinci s slantedmirror writing describes the guests at a dinner. With a novelist s interest in detail, hecarefully observed the shrug of one man s shoulders, the position of another s hands, thescowl on one face and the frown on yet one more.
在这一时期,绘制在墙上的画作《最后的晚餐》已经遗失了,这幅作品损坏严重,只能用一张大照片和一幅近现代仿品代替.达芬奇在一本笔记本里用倾斜的镜像书写描绘了晚餐中的客人。他带着一个小说家对细节的兴趣。细致入微地观察谁耸了一下肩膀,谁的手怎么放,谁的脸上有怒容,或者谁皱了眉。
The exhibition is arranged thematically; in addition to Beauty and Love, there is alsoCharacter and Emotion and Body and Soul. The visitor quickly comes face to face with theportrait of Cecilia Gallerani, also known as The Lady with an Ermine .Although the image is familiar from reproductions, the radiance of the painting is surprising.Further along is an unfinished, yet searing, Saint Jerome. For the first time, both versionsof The Virgin of the Rocks, one the National Gallery s own and the other belonging to theLouvre, are shown together.
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