So it is impressive that a new production of this unwieldy classicthe first in 20 yearsis now making its way around the world, as part of a year-long celebration of Mr Glasss75th birthday. After appearances in France, Italy and Britain , its next stop is Torontos Sony Centre fromJune 8th to 10th.
因此令人激动的是,这部制作庞大的经典之作,将作为格拉斯先生75岁生日为期一年的庆典活动的一部分,展开新一轮全球巡演,这是二十年来的第一次。结束了在法国、意大利和英国的演出之后,下一站它将在多伦多索尼索尼中心剧院演出,时间从6月8日到6月10日。
Watching the show now, some of the scripted moments feel a little absurd. And MrWilsons extravagant staging reinforces the operas reputation as a money pit. But the twoextended dance segments are irrepressibly uplifting. And the meditative music, which is sotechnically challenging that Mr Glass originally had trouble finding performers for it, washesover listeners, as coolly vast and mysterious as the sea itself.
现在看这部歌剧,一些有台词的场景会显得有点突兀。同时威尔逊先生奢华的舞台布景也验证了该剧耗资庞大的名声不虚。但增加的两场舞蹈让人无法抑制激动的心情。还有那冥思的音乐对技术有极大的挑战,一开始格拉斯先生为寻找合适的演奏者颇费了一番周折。人们听着这音乐,仿佛置身于一片平静浩瀚而又神秘的大海之中。
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