1966年,维斯瓦娃辛波丝卡荣膺文学最高荣誉,朋友却打诨为诺贝尔灾难。在颁奖的前一天,她还在浴室里挨过了一个难受的夜晚,因为在豪华的斯德哥尔摩酒店,浴室是其房间里唯一一处能找到灯光的地方。辛波丝卡一生中只做过三次演讲,每一次都身心折磨,这次也不例外。当然,真正的灾难要数名誉与财富带来的创伤,折桂诺贝尔奖后,粉丝高兴之余夹杂着些许失望,因为奖项也使这位桂冠诗人哑言,许多几年后才发表了一首诗。
Like many Poles who survived the war, Ms Szymborska readily accepted communism in early life, seeing it as a salvation for a ruined world. Early poems praised Lenin and young communists building a steel works. Later she blamed her own foolishness, naivety and perhaps intellectual laziness, but some found it hard to forgive her for signing a petition in 1953 backing a show trial of four priests.
和许多战后余生的波兰人一样,辛波丝卡早年欣然接受共产主义洗礼,视之为对世界千疮百孔下的救赎。赞扬列宁,歌颂年轻的共产党建钢厂等题材常见于早期的诗中。随后,她自我嘲讽道愚蠢,天真,还有一点思维惰性。1953年,为支持4位神父的审判秀辛波丝卡在请愿书签字,许多人都无法接受她这一做法。
Her ironic and individualistic spirit was ill fitted to the grey conformity of peoples Poland: the Nobel citation said she wrote with the ease of Mozart and the fury of Beethoven. Playful, subtle and haunting, her poetry could never be in harmony with the socialist realist style dictated by the countrys cultural commissars. She mocked their intolerance of dissent in a poem on pornography:
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