from here, the fairy tale gets its modern-day revision. instead of being the one-dimensional villain we know, maleficent soon gets a heart-of-gold reincarnation and reconsiders her evil intention.
从这里开始,新版故事进行了全新演绎。玛琳菲森并不是我们所熟悉的单纯反派,她心底的善良和柔情渐渐被唤醒,,开始反思塬本的恶念。
quite the irony, isn’t it? the character most committed to the destruction of true love turns out to have been one of its early victims. it’s also where the film adds a feminist point of view to the original fairy tale. it is no longer the story where the queen is bad for the sake of being bad. she has a personal story and there is a reason she does what she does.
十分讽刺,不是么?曾经被视为毁灭真爱的罪魁祸首,其实也曾是一个受害者。这也是影片加入的女性视角所在,故事中的邪恶女王并非坏得没道理,而是有着自己的苦衷和往事。
this comparison and contrast is compelling, but it would never have worked without jolie’s excellent performance, in which she represents all sides of her character’s complexity. for a character who loses love and gradually finds it again, jolie makes the transformation believable. with her edgy and stunning image, she effortlessly makes everyone else, including fanning’s princess aurora, pale into insignificance.
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