如果你曾看过林克莱特经典的“爱在”三部曲:《爱在黎明破晓前》(1995),《爱在日落黄昏时》(2004),《爱在午夜降临前》(2013);或是他历经长达12年创作的《少年时代》(2014),你大概就会了解,这就是他突破传统的叙事风格。
“Richard Linklater has never cared about plot in his movies, and he’s never really concerned himself with *adhering to genre, either,” wrote American reporter Bryan Bishop on The Verge. “What Linklater loves to do is simply hang with his characters.”
“理查德•林克莱特从不关心他电影里的情节,他也从不将自己限于流派之中,”美国记者布莱恩•毕晓普在前沿网上评论道。“林克莱特喜欢的只是和他的角色们在一起。”
Some movie critics have called Everybody Wants Some!! another one of Linklater’s “masterpieces”. I wouldn’t go so far as to say that, probably because I failed to connect with the film’s setting. It’s clearly a *nostalgia piece, celebrating 1980s Americana, with its *mustachioed characters and bell-bottom jeans. But Linklater’s novel way of depicting youth is strangely appealing.
一些电影评论家将《各有少年时》称为林克莱特的又一杰作。我不会对这部影片有如此高的评价,大概是我无法从影片设定中找到共鸣。很显然,这是一个赞颂美国80年代的怀旧影片,片中人物都蓄着浓密的胡子,穿着喇叭裤。但是林克莱特描绘青春的新意,却十分吸引人。
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