The edit: This one needed to be straightened up a bit, then we brought the brightness up by 30, the contrast up by 50, and reduced saturation by 30. Because of the dramatic ways the lights were hitting, we also took down the shadows by 10 and brought up sharpness by 10. To avoid the dramatic glare of the overhead lights, Drew notes that we could have used our hand's shadow like a shield to reduce how much of the light hitting the lens when we initially took the photo.
这个需要好好说明下,亮度调到30,对比度调高50,饱和度调低30。由于里面有戏剧性的强光,我们还得把阴影调低10,锐度调高10。为了避免头顶出现这么夸张的强光,Drew强调,我们一开始拍摄的时候,可以用手的阴影来当掉一部分直射镜头的强光。
Situation 6: Architecture
状况6:建筑
Best filter option: Juno
最佳滤镜:朱诺
The edit: For this architectural shot, we brought down both highlights and shadows by 30 to get a better picture of both the shadow and the glare inside the tunnel, brought saturation down by 20, and sharpened it up by 10. To the untrained eye, the differences between these three are negligible. There have been some subtle changes made, but the fact that it required very few edits speaks to the notion that a low touch is sometimes all you need. Obviously details are important in architecture, so sharpening does a lot to pronounce some of the faint elements here in the wood grain and stone. Drew also noted that there were two ways to go with this image edit -- either try to pull out more detail from the highlights (the end of the tunnel), or do what we did here, keeping the highlights completely blown out/white. In the end, though, it's up to your personal preference.
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