The realistic approach (态度) to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brand. But while you can learn a great deal from looking at the works of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness (观察) of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with the camera cases and lens (镜头) caps.
Film manufactures must be delighted at the'thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although this waste must be put down to inexperience, you'll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot is going to be a winner. If you look at the works of even the best photographers, you'll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has pas- sed as well There is seldom more than one shot which stands out. There is just one point where it all comes together, and often you have to waste film to catch that precious moment.
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