当我身为戏剧系大一新生时-这个故事已越来越出名-我修了一堂戏剧分析课-这是必修课程之一,指导教授是 Gerardine Clark。如果有人想知道这些欢呼是怎么回事,戏剧系学生坐在那里。戏剧分析课每周上两次,每次九十分钟,每星期得研读两部剧本,每堂课开始时,会举行一场二十题是非题的小考,测验我们是否预习了剧本。问题是,这是早上八点三十分的课,上课地点在East Genesee街尾,我住在Brewster/Boland街 头。不知道你们是否注意到,雪城市的气候经常十分恶劣,我总是得在风雪交加中前往学校上课, 刺骨的寒风简直像从喷射机引擎中喷出似的,这对我的社交生活产生不少负面影响,尤其是睡眠质量。某次小考的内容是关于《推销员之死》,我并未事先预习这出 戏剧,我写出的答案显示,我不知道剧终时那位推销员是不是死了。这门课没有及格。我不得不在大二时重修,这令我十分沮丧、深感羞愧。毫无疑问地,这是我迈向作家之路过程中最刻骨铭心的事。大二时,我孜孜不倦地参与这门课程,用心研读剧本,讨论每一部剧本的架构、节奏、寓意及转折点,反复地 思考探索。我投注了全副心力,确实,当我在期末收到成绩单时,成绩从F进步到D。开个玩笑;这堂课只有过与不过的分别。
But I stood at the back of the Eisenhower Theater at the Kennedy Center in Washington watching a pre-Broadway tryout of my plays, knowing that when the curtain came down, I could go back to my hotel room and fix the problem in the second act with the tools that Gerry Clark gave me. Eight years ago, I was introduced to Arthur Miller at a Dramatists Guild function and we spent a good part of the evening talking. A few weeks later when he came down with the flu he called and asked if I could fill in for him as a guest lecturer at NYU. The subject was "Death of a Salesman." You made a good decision coming to school here.
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