In Wild Man Blues, the documentary Barbara Kopple made about Allen's love of jazz, in which she followed him and his band on tour, there are a few brief but telling insights into his and Soon-Yi’s relationship. She’s not afraid to call a spade a spade, is she, I say? “The crowd outside the concert was hilarious,” she says at one point. “It was like for a rock concert, and yet you’re an older guy.” And, “you looked like a crazy person out there”. And, “you must remember most people aren’t coming because they like your music, they're coming because you are in the movies”.
Soon-Yi, like Helena in the film, insists upon honesty. There’s really no escape from reality when she's around. The difference is that, unlike Alfie, Allen seems to embrace it.
“Yes, yes, she’s never taken me seriously really. And to this day – you know I just left her now – she sees me as a complainer, a hypochondriac, a kind of idiot savant. She thinks that I’m very good at what I do and absolutely terrible at everything else. And she's probably not far off. You know, it’s that kind of relationship. She’s not someone who sycophantically supports. You know, people thought when I first married her that, because of this big age difference, I’d married someone who’d idolise me. But that wasn’t the case at all. She hadn’t seen 90% of my movies, and to this day she hasn’t seen 60% of them. She’s just not that interested in them. And she’s a stern critic of my work. She unashamedly hates my clarinet playing. Can’t bear it. Can’t bear my practising. Never comes to a concert. Thinks it’s torture.
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