该研究调查了83名演员、导演和设计师、129名舞者、20名音乐家和歌剧演唱家。这些参与者填写了有关童年不幸、羞耻感、创作体验、幻想倾向、焦虑和活动参与度的自陈报告。
The study found that, compared to the original Adverse Childhood Experiences study conducted back in 1998 on 9,508 adults, performing artists as a group reported a higher level of childhood emotional abuse and neglect.
1998年,研究人员探究过9508位成年人的童年不幸经历。他们对比两项研究结果后发现,相较于普通人,表演艺术家在童年期经历精神虐待和忽视的几率更高。
The participants were able to be categorised into three groups: those who reported a high level of childhood adversity; those who had experienced a lower or medium level; and those who had experienced little to none.
这回,研究人员根据童年不幸程度,将调查对象分为三组:高程度(非常不幸)、中低程度(比较不幸)、零程度(几乎没有经历过不幸)。
It's the high-level group that demonstrated the greater extremes. These performing artists had much higher anxiety, much more internalised shame, and reported more cumulative past traumatic events. They were also more prone to fantasies.
研究发现,高程度组情况最极端。这些表演艺术家明显更焦虑、更具主观羞耻感、经历过更多创伤事件、更容易陷入幻想。
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