音乐心理学家艾德里安.诺斯教授说:“有关音乐沿革方面的研究不是很多,但毫无疑问,作曲家和表演者一直力求满足观众的口味,他们大幅度地剪裁自己的作品以达到这一目的。”
‘One way in which they can achieve this is by, for example, making their music progressively louder over time, as seen in the research here.
“例如,随着时间的推移,音量越来越大来迎合听众,这一点从这项研究中可见一斑。”
‘However, music can only get so loud before it becomes simply unlistenable, and so the same theory argues that this is where musical styles begin to evolve: rather than making their music novel by simply making it louder, performers and composers have to find new types of music, and so this is how new musical styles come about.’
“然而,音乐的音量增加不是无限度的,超出限度会使音乐失去品质,变得不堪入耳;所以这一理论也显示,正因为如此音乐类型在演变:表演者和作曲家努力在音乐类型上进行创新,而不是通过简单提高音量来增加音乐的新鲜感,这样新音乐类型就出现了。”
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