Because if there were less creative fireworks in Ms. Viard's work than Mr. Lagerfeld's, and there were, there was also less fuss. These days, there is more than enough of that elsewhere.

因为如果维亚德的作品中没有拉格菲那么多的创意噱头，就是这样，而且也没有那么多的铺陈。如今，这个在其他地方已经足够多了。

As for Ms. van Herpen, she has carved her own sui generis path, one marked by a conceptual attitude that combines traditional handwork with technology, so that universal subject matter — nature, the body, power — and classic fabrics (duchess satin, organza, cotton, tulle) are treated with entirely forward-looking techniques: laser printing and cutting, heat bonding, and the occasional piece of metal. It makes for a mesmerizing result, and not just because this time she centered her show around a kinetic sculpture titled "Omniverse" by the artist Anthony Howe that gracefully twisted and torqued in its own natural ballet throughout her presentation — but because her clothes do the same thing.

至于范·赫本，她已经开辟出自己独树一帜的道路，其标志是一种将传统手工与技术相结合的观念态度，以便自然、身体、力量这样的普遍主题和经典面料（公爵缎、欧根纱、棉布、薄纱）可以用完全前瞻性的技术进行处理：激光打印和切割、热粘合和偶尔出现一块金属。这带来一种迷人的结果，不仅因为这次她的展览围绕艺术家安东尼·豪伊(Anthony Howe)的动态雕塑《全能宇宙》(Omniverse)展开——在整个展示过程中，这个雕塑优雅地扭曲、转动，跳着自然之舞——还因为她的服装也在做同样的事情。

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