My stomach was churning, and I determined not to let an idle minute pass. "Hey, Captain Gray. Could I use your typewriter?" I asked.
The typewriter was so old that I had to use just one finger to type, my strongest one, even though I could type with all ten. I grabbed the first piece of clean paper I could find -- one that had the logo of the Fire Department of the City of New York across the top -- and, hoping there would be a break in the alarms for 20 minutes or so, wrote out a four-paragraph letter of indignation to the editor ofthe Sunday Book Review(「纽约时报」书评).
Throughout his poetry, I postulated, Yeats yearned for a messiah to lead Ireland out from under the bondage of English rule, and his view of the world and the people in it was fundamentally Irish.
Just as I addressed the envelope, the final alarm of my tour came in, and as I slid down the long brass pole, I felt unexpectedly calm, as if a great rock had been purged from the bottom of my stomach.
I don't know why I felt it my obligation to safeguard the reputation of the world's greatest poet, at least next to Homer and Shakespeare, or to inscribe an apologia for Irish writing. I just knew that I had to write that letter, in the same way a priest has to pray, or a musician has to play an instrument.
Until that point in my life I had not written much of value -- a few poems and short stories, the beginning of a coming-of-age novel. I knew that my writing was anything but refined. Like a beginning artist who loves to draw, I understood that the more one draws, or writes, or does anything, the better the end result will be, and so I wrote often to better control my writing skills, to master them. I sent some material to various magazines and reviews but found no one willing to publish me.
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