然而,戏剧在现在的发展中却面临着一个非常大的问题:现代文化的冲击。随着老一辈艺术家的渐渐衰老,新一代的年轻人逐渐崛起,现代文化正和传统文化商讨着一个问题:我们两个,到底哪一个才能站得住脚呢?我曾经看过一个电视节目,记者到街上进行随机采访,对象都是一些年轻人,记者一些老艺术家的名字,问他们知不知道,而大多数被采访者都表示没有听过。现在,新一代的文化如浪潮般席卷而来,新一代的偶像受到众多粉丝的追捧,新一代的歌曲、舞蹈在人群之间流传。有许许多多的现代偶像的粉丝对中华传统文化不屑一顾,认为那样的艺术、文化不适合喜欢追赶潮流的自己;对老一辈艺术家和传统节目一无所知,认为父母那一代人知道,并不等于他们也应该去知道。这是多么令人心寒啊!
However, the development of drama is facing a very big problem: the impact of modern culture. With the aging of the older generation of artists and the rising of the new generation of young people, modern culture and traditional culture are discussing a question: which one of us can stand? I once saw a TV program where reporters interviewed randomly on the street. The interviewees were all young people and old artists. They asked them if they knew the names. Most of the interviewees said they had never heard of it. Now, a new generation of culture is sweeping in, a new generation of idols are sought after by many fans, and a new generation of songs and dances are spread among the crowd. Many fans of modern idols despise Chinese traditional culture and think that such art and culture are not suitable for those who like to catch up with the trend; they know nothing about the artists and traditional programs of the older generation and think that the generation of their parents knows, which does not mean that they should also know. How chilling it is!
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