“入乎其内,出乎其外”是我们认识世界、发现世界的基本方法,也是我们走向成功的思维基石。——题记
It is the basic method for us to know and discover the world, and it is also the cornerstone of our thinking for success. -- inscription
为人入“内”有生命,出“外”显文才;为人入“内”存真诚,出“外”不虚伪;为事入“内”看本质,出“外”循规律,因此联想到了下面三个镜头:
There is life in "inside" and literary talent in "outside"; there is sincerity in "inside" and there is no hypocrisy in "outside"; there is essence in "inside" and rules in "outside", so the following three scenes are associated:
镜头一:创新为文
Lens 1: innovation as text
他——一个学生,在写作文,老师要求“创新”,因为只有“创新”,才能诞生美文。于是他就关起门来“创新”哪!
He, a student, is writing a composition, and the teacher asks for "innovation", because only "innovation" can give birth to a beautiful article. So he closed the door to "innovate"!
殊不知,创新又必须建立在对生活的深深体味之中。夏衍不知多少个夜晚步行几十里路到日本纱厂去观察包身工的生活,终于写出了惊世之作《包身工》;赵树理从不脱离劳动,与农民打成一片,才开创了“山药蛋派”,写下了《小二黑结婚》等脍炙人口的篇章。试想作家不去深入体味生活,不去思考生活的真谛,又怎能写出流传千古的文章?故曰:为文,须入乎其内,品味生活的甜酸苦辣;出乎其外,把握时代脉搏,创新治文!
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