“杂”对我们的影响却远不止历史,若有幸游一游大江南北,看一看各地的民风民俗民习民居,你便会知道“杂”字的影响力是多么非凡。就拿各地民居而言,徽州是盐商麋居之地,所以那里的建筑“曲折如才子笔”,洁白的粉墙,黝黑的屋瓦,鳞次栉比的兽形斗拱,还有高昂的墙头和参差的造型,无不透露一股“贾而好儒”的气氛;如果是去福建,闽南客家的建筑会给人以坚如磐石、团团圆圆的审美感;若是来江南的园林,在幽幽曲径,翼然亭阁之中,你不禁吟哦出“庭院深深深几许”的诗句;而要是你登上了巍峨壮美的长城,感受到的却是荡尽羁尘、豁然开朗的气势。仅是一个中国,建筑的风格就是如此迥异,气象万千。但就是这看似杂乱无章、毫不相关的构建风格,却形成了独特的中国砖木结构建筑体系,在世界建筑之林占有了重要的一席之地。于是我们从中看出了建筑艺术的开朗,将“杂”如此完美地融合在一起,其艺术的包含性可见一斑。
"Miscellaneous" has far more influence on us than history. If you have the honor to visit the whole country and see the folk customs and houses, you will know how extraordinary the influence of "miscellaneous" is. As far as the local houses are concerned, Huizhou is the place where the salt merchants live, so the buildings there are "twists and turns like talented people's pens", white walls, dark roof tiles, rows of animal shaped arches, high walls and uneven shapes, all of which reveal the atmosphere of "Jia Er Hao ru". If you go to Fujian, the Hakka buildings in Southern Fujian will give people a rock solid and round trial Aesthetic feeling: if you come to the gardens in the south of the Yangtze River, you can't help chanting the poem "the courtyard is a little deeper", but if you climb the Great Wall, you will feel the atmosphere of boundless and open-minded. Only in one China, the architectural style is so different and colorful. However, this seemingly disordered and irrelevant construction style has formed a unique Chinese brick and wood structure building system, occupying an important place in the world's architectural forest. Therefore, we can see the openness of architectural art, and the inclusion of art can be seen from the perfect integration of "miscellaneous".
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