首先是皮草领子。专家小组用X光检查并分析了画上的颜料,发现这个皮草领子不是原画作的组成部分。这个皮草领子是在成画后一百年之后直接画在原画上面的。这么做的目的是什么呢?可能是有人想让这幅画看起来像是一个贵族女子的正式画像,以为这样可以提高画的价值。
Second, the supposed error with light and shadow. Once the paint of the added fur color was removed, the original painting could be seen. In the original painting, the woman is wearing a simple collar of light-colored cloth. The light-colored cloth of this collar reflects light that illuminated part of the womans face. Thats why the face is not in partial shadow. So in the original painting, light and shadow are very realistic and just what we could expect from Rembrandt.
第二,所谓的光影问题。只要把这个后加上来的皮草领子移除,我们就能看到原画。在原画上,这个女人穿的是一个有这单领的浅色袍子。这个带领子的浅色袍子能够把光反射到女人的脸上。这是为什么这个女人的脸上没有呈现出半明半暗的状态。所以呢,原画上的光影是具备伦勃朗应该具有的写实风格的。
Finally, the wood panel. It turns out that when the fur collar was added, the wood panel was also enlarged with extra wood pieces glued to the sides and the top to make the painting more grand and more valuable. So the original painting is actually painted on a single piece of wood, as would be expected from a Rembrandt painting. And in fact, researchers have found that the piece of wood in the original form of Portrait of an Elderly Woman in a White Bonnet is from the very same tree as the wood panel used for another painting by Rembrandt, his Self-portrait with a Hat.
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