48. Its subjectis life-as-spectacle, for readers, diverted by its various incidents,observe its hero Odysseus primarily from without;the tragic Iliad,however,presents life-as-experience:readers are asked to identify with the mind of Achilles,whose motivations render him a not particularly likable hero. 其主题〔若借鉴梅纳德。迈克的两个分类范畴的话〕是人生作为外部景象,因为读者的注意力被作品那形形色色的事件所分散,主要是从外部来观察其主人公奥德修斯的;然而,富于悲剧色彩的《伊利亚特》所表现的则是人生作为内心体验:读者被要求与阿基琉斯的心灵产生共鸣,而其行为动机却致使他变作一个并非特别惹人喜爱的主人公。 注:hero:主人公;without:外部;likable:有吸引力的
49. Most striking among the many asymmetries evident in an adult flatfish is eye placement: before maturity one eye migrates,so that in an adult flatfish both eyes are on the same side of the head. 在一条成年比目鱼身上显著存在的诸多不对称特征中,最为吸人注目的是眼睛的摆位:在成年之前,一只眼睛发生移动,因此在成年比目鱼身上,两只眼睛均位于头部的同一侧面。
50. A critique of Handlins interpretation of why legal slavery did not appear until the 1660s suggests that assumptions about the relation between slavery and racial prejudice should be reexamined , and that explanations for the different treatment of Black slaves in North and South America should be expanded . 一个对于H的关于为何法律上的奴隶制没有在17世纪60年代以前出现的原因所作解释的批评显示,关于奴隶制和种族偏见之间的关系的假说应当重新检查,而且显示出,对于在北美和南美之间的对黑怒的不同处理的解释应当被扩展。
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